![]() It’s unclear, however, if there’s a version by Bud Powell. “Love Me or Leave Me” is a 1928 Walter Davidson/Gus Kahn song from the Broadway play Whoopee! It was covered by everyone from Ruth Etting to Nina Simone to Ella Fitzgerald. “Play ‘Love Me or Leave Me’ by the great Bud Powell”īud Powell was a wildly innovative jazz pianist of the Fifties and Sixties who died of tuberculosis in 1966, when he was just 41. Lonely Are the Brave is a 1962 Kirk Douglas Western based on Edward Abbey’s novel The Brave Cowboy.ġ8. The Randy Newman title is, by far, the most famous, and probably the one Dylan is referencing here. “Lonely at the Top” has been used as a title for songs by Randy Newman, Bon Jovi, Mick Jagger, and even Chamillionaire. Play ‘Lonely at the Top’ and ‘Lonely Are the Brave'” Dylan previously referenced it in his 1985 track “Tight Connection to My Heart.'”ġ7. “Memphis in June” is a 1945 Hoagy Carmichael song. “Anything Goes” is the title song from a 1934 Broadway musical, with lyrics by Cole Porter. “Play ‘Anything Goes’ and ‘Memphis in June’ “ “Down in the Boondocks” is a 1965 Billie Joe Royal song written by Joe South, who plays guitar on Dylan’s Blonde on Blonde.ġ6. Terry Malloy is the dockworker who Marlon Brando portrayed in the 1954 classic On the Waterfront. “Play ‘Down In The Boondocks’ for Terry Malloy” The Acid Queen is a woman hired by his family who tries to restore his senses, either by dosing him with LSD or having sex with him. These are two lines from the Who’s 1969 rock opera, Tommy, about a deaf, dumb, and blind pinball wizard. “Tommy, can you hear me? I’m the Acid Queen” In “Murder Most Foul,” Dylan puts yet another tiny spin on it.ģ. ![]() In the original Margaret Mitchell book, Butler says, “My dear, I don’t give a damn.” This was changed to, “Frankly, my dear, I don’t give a damn” in the movie. This comes straight from the mouth of Clark Gable’s character of Rhett Butler in Gone With the Wind. “Frankly, Miss Scarlett, I don’t give a damn” The connection to JFK’s death is most likely not a complete coincidence, though Craven never commented on the matter.Ģ. Fifteen years later, Wes Craven’s horror classic Nightmare on Elm Street, about a deranged psychopath who slaughters children in their dreams, hit movie theaters. Clearly, Dylan has spent a lot of time reading books and watching documentaries about this.Įlm Street is the actual road in Dallas where Kennedy was assassinated. It’s packed with references only JFK buffs will likely recognize, like the “triple underpass” near Dealey Plaza, the removal of his brain during the autopsy, and the “three bums comin’ all dressed in rags” captured on the Zapruder film that conspiracy theorists have been obsessing over for decades. “Murder Most Foul” centers around another historic tragedy: the assassination of John F. The closest analogue to “Murder Most Foul” in Dylan’s vast catalog is Tempest’s title track, a 14-minute song about the Titanic. It’s his first original song since 2012’s Tempest, though he has released three albums of cover songs associated with Frank Sinatra since then. Stay safe, stay observant, and may God be with you.” “This is an unreleased song we recorded a while back that you might find interesting. Bob Dylan fans woke up this morning to the stunning news that the songwriter had released a 17-minute epic titled “Murder Most Foul.” “Greetings to my fans and followers, with gratitude for all your support and loyalty over the years,” Dylan wrote.
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